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, mail-order sales, etc.); digital download sales (movies, music, content, etc.); and consumer-to-consumer (C2C) platform sales (eBay, auction sites, etc.).

鈥淭ikTok had Charlie D'Amelio and the Music.ly crew to serve as an early example of what was possible to achieve, and YouTube has Mr. Beast,鈥� said Doug Landers, partner at talent management company Greenlight Group. 鈥淏luesky needs new faces to emerge that they can build their brand around.鈥�. Social platform fatigue.

The news: California Governor Gavin Newsom has signed a law requiring digital sellers to clarify that consumers are licensing, rather than owning, digital products like games, movies, music, and ebooks.

Sorry, there's music. Carina Perkins:. You failed to recover after that, didn't you? Marcus Johnson:. Yeah. Yeah. Okay, here we go. Luckily this isn't a professional podcast. Carina Perkins:. Are we going to keep the music in it? Because I was dancing to it at one point. Marcus Johnson:. I think so. Yeah, yeah. You basically get your answer in before-. Ross Benes:. We get fair use of that music?

ProRata.ai, a new fee-based chatbot, has signed agreements with Universal Music, The Atlantic, Axel Springer, and FT group. Perplexity has agreements with Der Spiegel, WordPress, The Texas Tribune, and Fortune. Google has an agreement with Reddit.

MUSIC (19:42):. (Instrumental music).

YouTube's other businesses though, in November the company had 80,000,000, eight zero million paid subscribers of music and premium services. That's up from 30 the previous year from 30 to 80. And YouTube TV, it's streaming TV offering has over 5 million subscribers. That's where it is, Evelyn. It seems like a pretty valuable property.

It's on queer representation in the music industry. So year over year, we see queer representation in the music industry increasing. So insert fun confetti here in the video. In 2021, there were 35 solo artists ranked in the top 1,000 who self-identified as LGBTQ+. And so far in 2024, that number has increased to 39.

Dustin Jones of NPR notes that users can diversify their posts by adding sounds and music stickers and hashtags, as well as tagging locations. The text-only post lets folks publish 1000 characters versus 500 for Threads or 280 for X or Twitter. But Debbie, the most interesting sentence in this BBC article I sent you on TikTok adding text only posts is what and why? Debra Aho Williamson:.

Cue in the spooky music, Todd. I'm Rob Rubin, GM of financial services and your host today. If you enjoy this podcast, please leave us a review and give us a five-star rating. We'd love to hear from you. The title of today's episode is Money 20/20 in 2023, and that's because we're on the floor of Money 2020 in Las Vegas recording this episode. So if you hear noise in the background, that is why.

So people were illegally sharing music and then along came a business model that promised to allow publishers, musicians to profit from the technology. Hindsight, they didn't really profit that much. $1 songs really didn't change the game for anyone. And depending on who you ask, that pretty much killed the music industry's model from that time. Music publishing is this similar.

B2C brands in sectors like automotive, hospitality, music, sports, and travel are investing in the platform. 鈥淟inkedIn is definitely heading into a direction where more direct B2C marketing is going to become prevalent,鈥� said Jordan Schultz, vice president and head of social and digital creative at marketing agency Known. B2C marketers are tailoring their messaging to the platform.

Actually, October of last year when that wasn't the case, and cable was still bigger than streaming. So, even though there's a captain obvious aspect to this data, there's still an interesting tipping point happening here, particularly with streaming over cable. At some point we're going to get to where streaming surpasses cable and broadcast combined.

Its growing global reach and the uncertainty surrounding a ban deadline hasn鈥檛 stopped TikTok from striking major partnerships with music publishers, artists, and retailers. But Adweek鈥檚 report makes the reality clear: As long as the possibility of a ban exists, advertisers are likely to divert spending to other platforms in case they lose access to TikTok come 2025.

It was like Armageddon music, I guess. It's called From the Launchpad. Marcus Johnson:. Can we get it again? Victoria Grace:. Yeah, hold on. Marcus Johnson:. So for the listeners, we're trialing out a new timer and it has a sound effect when you hit zero. Oh, it's intense. That was very brief. Victoria Grace:. I don't know if I get the launchpad thing. Marcus Johnson:.

So something that conventional wisdom might have already told you, but old songs defined here as released over a year and a half ago and now represent 70% of the US music market according to music analytics firm MRC Data. So 70% of the music we listen to is old music. That's up from 65% in 2020, which is a pretty sizable jump.

Two, music, when stores are busy, fast music is played to encourage you to move quickly and three, shopping carts, the bigger the shopping cart, the more you're encouraged to buy because if you're using a bigger cart that makes you feel like you're buying less so you add more items. So if you have a small cart with 10 items, it looks fuller than a large cart with 15.

If you look at things like the music service on Amazon, it's limited if you just opt-in to the version that's available as a subscriber versus paying extra for a subscription that gets you 10 times the number of tracks.

, mail-order sales, etc.); digital download sales (movies, music, content, etc.); and consumer-to-consumer (C2C) platform sales (eBay, auction sites, etc.).

The news: The TV upfronts kicked off with NBCUniversal鈥檚 presentation at Radio City Music Hall on Monday, with advertisers making their way past barricades as Writers Guild of America (WGA) members loudly protested in front of the venue. Why it matters: Billions are expected to go toward TV ads during this year's "upfront" season, when ads are sold in advance for the upcoming year.

Adam Clark Estes of Vox, in his piece, he references P2P file sharing site Napster, which made it easy to download music for free before the days of Spotify and Apple Music. Record companies were quick to say, "Not so fast," and in 2001, a federal court ruled that Napster was liable for copyright infringement.